Though weird, I can get along with recording audio that's on the grid in this way - with the ERM offset at +1ms.
#Multiclock extension pro#
This setup seems to work fine for all synths in the studio apart from the Pro 3. source HLS tool, was extended to automatically insert clock- domain-crossing circuitry for signals crossing between two domains. The reasoning behind this setup is that it allows us to record midi or audio for each synth in the studio.
an audio channel that has it's input set as the output (post mixer) of the midi channel. This is where the bar long midi note is triggered.Ģ. We can easily extend the proposed scheme and add more buffers in the clock. a midi channel with an external instrument plugin, these generally have 7-8ms of latency set. clock domain bound- aries of multiclock circuits and to validate the proposed. E-RM’s newly released follow-up is the Multiclock, a much more advanced product, which acts as a multi-format sync box capable of outputting up to four channels of MIDI, DIN or analogue clock to synchronise hardware such as drum machines, sequencers and synth arpeggiators via a rock-solid clock signal. I've tried power cycling with the USB cable plugged in, still can't get it working.Ībleton set up: Delay compensation and reduced latency while monitoring are turned on. I understand there is a bug with USB midi in this version that we're waiting to be resolved. I've tried to get it working with USB midi to sanity check but I can't seem to get it working. Pro 3 has latest firmware installed: 1.1.0.
For it to be "in time" it must show each note of the arpeggiator as being on the grid in the resultant audio recording.
#Multiclock extension Patch#
This is weird.īy "in time" I mean that the audio signal that gets recorded in Ableton is on the grid when I use a basic patch with arpeggiator and trigger it with a bar long midi note from Ableton. The Pro 3 needs an offset of "+1ms" to be set on the ERM in order for it to be in time. There are other synths also clocked by the ERM and all have an offset between +30 to +49 as is to be expected. There is a Prophet 08 also being clocked by the same ERM multiclock at the same time, in order to be in time it's offset is set at +49ms. This means that we would expect any synth clocked by the ERM to need an offset set on the ERM of around +50ms or a little less in order to account for latency. The ERM is sent an audio signal from Ableton as it's master clock, on a track that has a -50ms delay.
The Pro 3 is being clocked via midi din from an ERM multiclock. I've looked through the previous posts here and nothing seems to cover it, so I've created a detailed bug report. Firstly, I love this synth! However I am having some weird sync issues with the Pro 3.
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